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John Thomas Serres was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy, and was for a time Maritime Painter to King George III.
He is the son of Dominique Serres.
John Thomas Serres was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy, and was for a time Maritime Painter to King George III.
He is the son of Dominique Serres.
John Thomas Serres was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy, and was for a time Maritime Painter to King George III.
He is the son of Dominique Serres.
John Thomas Redmayne was a British surgeon, physician and amateur naturalist.
Redmayne trained as a physician and surgeon in Glasgow, then received his diploma at Guy's Hospital in London and was licensed by the Royal College of Physicians in Edinburgh.
In addition to being a physician, J. Redmayne was an amateur naturalist, he became interested in microscopy and specialized in diatom algae. He is considered one of the most successful microphotographers of the time, and his founding of the Bolton Microscopical Society allowed him to concentrate on the study of diatoms. His microscopic diatom plates were highly respected, particularly for the relative purity of the species. He also mounted histological preparations. Redmayne gave copies of his book to the Quekett Microscopical Club (which he joined in 1876) and the Royal Microscopical Society.
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt.
John Samuel Tunnard was an English Modernist designer and painter. He was the cousin of landscape architect Christopher Tunnard.
Thomas Hirschhorn is a Swiss artist. He lives and works in Paris.
Hirschhorn's work has been the subject of numerous solo exhibitions including the Institute of Contemporary Art, Boston; Centre Georges Pompidou, Paris; Chantal Crousel, Paris; Museu d'Art Contemporani, Barcelona; MAAXI, Museo nazionale delle arti del XXI secolo, Rome; Kunsthaus Zürich; Art Institute of Chicago; Museum Ludwig, Cologne; and Wiener Secession, Vienna.
Hirschhorn's works are held in collections worldwide, which include the Museum of Modern Art, the Walker Art Center, and the Tate among others.
Thomas Sully was a portrait painter in the United States. Born in Great Britain, he lived most of his life in Philadelphia, Pennsylvania. He painted in the style of Thomas Lawrence. His subjects included national political leaders such as United States presidents: Thomas Jefferson, John Quincy Adams, and Andrew Jackson, Revolutionary War hero General Marquis de Lafayette, and many leading musicians and composers. In addition to portraits of wealthy patrons, he painted landscapes and historical pieces such as the 1819 The Passage of the Delaware. His work was adapted for use on United States coinage.
John William Godward was an English painter from the end of the Neo-Classicist era. He was a protégé of Sir Lawrence Alma-Tadema, but his style of painting fell out of favour with the rise of modern art.
Thomas Gainsborough was an English painter, renowned for his mastery in both portraiture and landscape art, active during the 18th century. Born in Sudbury, Suffolk, Gainsborough displayed early artistic talent, which led him to London to study art seriously. He is often celebrated for his fluid and expressive brushwork and his innovative approach to portrait and landscape painting. Gainsborough was notably influenced by Dutch landscape paintings and the Rococo style, which is evident in his delicate and evocative use of color and light.
Thomas Gainsborough's career gained significant momentum when he moved to Bath, where he attracted a fashionable clientele. This period was marked by his creation of portraits that seamlessly integrated the sitters into lush, idyllic landscapes. Despite his success with portraits, Gainsborough preferred painting landscapes, often expressing a desire to escape the demands of portrait commissions to focus on these scenic representations.
Some of his most famous works include "The Blue Boy" and "Mr. and Mrs. Andrews." "The Blue Boy" is particularly noted for its vibrant blue costume and has been a hallmark of Gainsborough's style in capturing the personality and elegance of the youth. His works are held in high esteem and are part of collections across major museums globally, such as the National Gallery, Tate Britain, and the Huntington Library, to name a few.
For those interested in exploring Thomas Gainsborough's contributions to art, his paintings offer a glimpse into the social fabric and the natural beauty of 18th-century England, making him a pivotal figure in the English school of painting. His ability to convey character and atmosphere in his portraits and landscapes alike ensures his continued relevance and admiration in the art world today.
If you are keen on updates related to Thomas Gainsborough's art pieces, sales, and auctions, consider signing up for specialized newsletters or alerts that focus on his works and their presence in modern collections and sales events.
John Frederick Peto was an American trompe-l'œil ("fool the eye") painter who was long forgotten until his paintings were rediscovered along with those of fellow trompe-l'œil artist William Harnett.
Thomas Hart Benton was an American artist renowned for his role in defining the Regionalist art movement, which emphasized scenes of everyday life in the United States. Born in Neosho, Missouri, in 1889, Benton came from a family deeply rooted in politics, but he chose to channel his energies into art, moving away from his prescribed path in politics to a more creative and influential trajectory in the visual arts.
Benton's work often carried a narrative quality, depicting the lives and struggles of working-class Americans with a focus on the Midwest. His major works include large-scale murals such as America Today and The Arts of Life in America, which showcased his unique blend of detailed realism and dynamic composition. Benton's ability to convey profound social messages through his art made his works both celebrated and controversial during his time.
Many of Benton's pieces are displayed in prominent museums across the United States. Notable among these are his murals in the Metropolitan Museum of Art and the powerful scenes captured in his final major work, The Sources of Country Music, at the Country Music Hall of Fame in Nashville. This work, completed towards the end of his life, encapsulates the essence of American cultural history that Benton so loved.
If you're passionate about the dynamic and storytelling art of Thomas Hart Benton, consider signing up for updates. You'll receive news on new product sales and auction events specifically related to Benton's art. This is a wonderful opportunity for collectors and experts in art and antiques to stay informed about one of America's defining Regionalist painters.
John Singleton Copley was an Anglo-American painter, active in both colonial America and England. He was probably born in Boston, Massachusetts, to Richard and Mary Singleton Copley, both Anglo-Irish. After becoming well-established as a portrait painter of the wealthy in colonial New England, he moved to London in 1774, never returning to America. In London, he met considerable success as a portraitist for the next two decades, and also painted a number of large history paintings, which were innovative in their readiness to depict modern subjects and modern dress. His later years were less successful, and he died heavily in debt.
Thomas Gainsborough was an English painter, renowned for his mastery in both portraiture and landscape art, active during the 18th century. Born in Sudbury, Suffolk, Gainsborough displayed early artistic talent, which led him to London to study art seriously. He is often celebrated for his fluid and expressive brushwork and his innovative approach to portrait and landscape painting. Gainsborough was notably influenced by Dutch landscape paintings and the Rococo style, which is evident in his delicate and evocative use of color and light.
Thomas Gainsborough's career gained significant momentum when he moved to Bath, where he attracted a fashionable clientele. This period was marked by his creation of portraits that seamlessly integrated the sitters into lush, idyllic landscapes. Despite his success with portraits, Gainsborough preferred painting landscapes, often expressing a desire to escape the demands of portrait commissions to focus on these scenic representations.
Some of his most famous works include "The Blue Boy" and "Mr. and Mrs. Andrews." "The Blue Boy" is particularly noted for its vibrant blue costume and has been a hallmark of Gainsborough's style in capturing the personality and elegance of the youth. His works are held in high esteem and are part of collections across major museums globally, such as the National Gallery, Tate Britain, and the Huntington Library, to name a few.
For those interested in exploring Thomas Gainsborough's contributions to art, his paintings offer a glimpse into the social fabric and the natural beauty of 18th-century England, making him a pivotal figure in the English school of painting. His ability to convey character and atmosphere in his portraits and landscapes alike ensures his continued relevance and admiration in the art world today.
If you are keen on updates related to Thomas Gainsborough's art pieces, sales, and auctions, consider signing up for specialized newsletters or alerts that focus on his works and their presence in modern collections and sales events.
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home — now known as "Constable Country" — which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
Thomas Gainsborough was an English painter, renowned for his mastery in both portraiture and landscape art, active during the 18th century. Born in Sudbury, Suffolk, Gainsborough displayed early artistic talent, which led him to London to study art seriously. He is often celebrated for his fluid and expressive brushwork and his innovative approach to portrait and landscape painting. Gainsborough was notably influenced by Dutch landscape paintings and the Rococo style, which is evident in his delicate and evocative use of color and light.
Thomas Gainsborough's career gained significant momentum when he moved to Bath, where he attracted a fashionable clientele. This period was marked by his creation of portraits that seamlessly integrated the sitters into lush, idyllic landscapes. Despite his success with portraits, Gainsborough preferred painting landscapes, often expressing a desire to escape the demands of portrait commissions to focus on these scenic representations.
Some of his most famous works include "The Blue Boy" and "Mr. and Mrs. Andrews." "The Blue Boy" is particularly noted for its vibrant blue costume and has been a hallmark of Gainsborough's style in capturing the personality and elegance of the youth. His works are held in high esteem and are part of collections across major museums globally, such as the National Gallery, Tate Britain, and the Huntington Library, to name a few.
For those interested in exploring Thomas Gainsborough's contributions to art, his paintings offer a glimpse into the social fabric and the natural beauty of 18th-century England, making him a pivotal figure in the English school of painting. His ability to convey character and atmosphere in his portraits and landscapes alike ensures his continued relevance and admiration in the art world today.
If you are keen on updates related to Thomas Gainsborough's art pieces, sales, and auctions, consider signing up for specialized newsletters or alerts that focus on his works and their presence in modern collections and sales events.
John Rutherford Armstrong was a British artist and muralist who also designed for film and theatre productions. He is most notable for the Surrealist paintings he produced.
John Dwyer McLaughlin was an American artist. He was a prominent figure in the development of minimalism and hard-edge painting in the United States.
McLaughlin initially studied philosophy and art history at Harvard University, and later studied painting in Europe. In the 1930s, he became interested in Japanese art and philosophy, and began to develop a style of painting that was influenced by Zen Buddhism and the aesthetics of Japanese calligraphy.
McLaughlin's work is characterized by its simplicity and abstraction, and he often used large blocks of color and geometric shapes in his compositions. His work was seen as a reaction against the emotional and expressionistic tendencies of abstract expressionism, and he was a leading figure in the development of minimalism and hard-edge painting in the 1950s and 1960s.
McLaughlin's work has been exhibited in museums and galleries around the world, and he is widely considered one of the most important American painters of the 20th century. His influence can be seen in the work of a number of younger artists working in the fields of minimalism and abstract art.
John Wootton was an English painter of sporting subjects, battle scenes and landscapes, and illustrator.
